Peter Michael Hamel The Voice Of Silence Blog

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• The Voice Of Silence Pdf

A few years ago we were lucky to be allowed to reissue some of Peter Michael Hamel works. Two LPs by Between ( And The Waters Opened - now deleted - and Einstieg -a few copies still available) and the great Hamel 2LP (also deleted!) joined the Wah Wah catalogue. We would have wanted to go for the Voice Of The Silence too, an now we have finally got the kind permission to go for it. Here is a much needed reissue of the sought after second LP by Peter Michael Hamel, originally released on the collectable Vertigo label in 1973. Hamel's experimentation with meditative and minimalist sounds is a further field of exploration for those into the likes of Terry Riley, LaMonte Young, Popol Vuh, Taj Mahal Travellers or Deuter- and will also appeal to those with interest in ambient and meditation musics. From 'A Few Thoughts on Composer PMH' by Terry Riley: '.Peter's heart did not seem to be aligned alone with the post Webern traditions that had emerged so prevalently in Germany.

Another huge reissue comes from the Wah Wah Supersonic Sounds camp with early 70’s modern classic masterpiece The Voice Of Silence from Peter Michael Hamel. Dominating the entire A-side is the epic ‘Panta Tanra’, a tantric excursion into delicate minimalistic piano interplay similar to the seminal works of Steve Reich or Philip Glass. ‘HAMEL’, ‘The Voice of Silence’. ‘Einstieg’, ‘And the Waters Opened’, ‘Dharana’, ‘Contemplation’, ‘Nada’, all with the group Between. The next selection comes from R. Stewart’s Music and the Elemental Psyche (1987). Unfortunately I didn’t get on brilliantly with this book when I first read it: I found the system variously arbitrary and simplistic with its constant use of C-major. Hamel (1972) was a double album, setting standards for all the albums to come: long, meditative and floating tracks in a minimalist tradition. Some tracks were performed live without overdubs. It had fantastic, colourful, sleeve artwork. Both this and Voice Of Silence were released on the legendary swirl Vertigo label.

His sensibilities were attracted more to American minimalism and Indian music and to some degree Rock and Jazz. In this sense he stands apart in the field of modern music of Germany. He has recognized the vast importance of improvisation and being 'in the moment' in music performance. He realizes the importance of experimentation and of finding new ways to notate his ideas. However, his music is at the same time rooted in the great German tradition and today he is recognized as a major figure whose compositions have greatly enriched the development of 20th and 21st century.'

Music is very subjective to an individuals tastes thats a given but I have to OBJECT to marcelrecords opinion that this is dated and amateurish, neither comment hold's true here!This is a brilliant slice of musical styles mainly ambient and minimalist predating Brian Eno's works i.e. Music For Airports by a few years. The Terry Riley influence is here without a doubt Hamel's channeled the repetitive organ arpeggio's that one can hear in 1960's Riley works.Hamel drew on the meditative powers of repetition and eastern scales hence his manipulation of the piano etc. This music was never meant to be mainstream and there are no indication's of Hamel ever attempting to 'crossover' by using typical elements i.e. Drums, guitars etc.

That were prevalent in almost all music back in the day.Instead the music draws listeners in by repetition and juxtaposition of angular harmonies albeit dissonant or melodic. One can hear the Indian raga influence thru-out this and all his solo releases from the 1970's i.e. Nada, Bardo etc.The Voice of Silence is the key piece for my listening tastes its a minimalist track with analog synthesizer drones sort of representing an Indian tamboura with Hamel playing his organ over the deep drones. This creates a subtle space for one to reflect, relax or meditate.Hamel was attempting a sort of spiritualism 'non denominational' thru sound.Based on the lp's front cover art(which is brilliant in and of itself) which contrary to previous reviewer expresses perhaps the musicians interest in all religions and their positive spiritual aesthetics. This album was purely ahead of its time as was Hamel's self titled debut. Now why aren't these on cd.! Hamel time knows no time.

PMH is let loose in the studio and assaults the grand piano and other assorted keyboards, meditating his ass off. This doesn't mean there are only meditative sounds here.

Some of it is quite aggressive even. The instruments are often doctored, not only to achieve different scales (mostly eastern), but also to intensify the players' touch. Three long tracks are the result and our hero even sings an Indian melody with long notes and fraught with echo. So here is another strange mixture of east and west, that becomes dramatic on Ego-loss (small wonder with such a title) through the inclusion of panting and screaming (crisis? What crisis?) and a kind of resurrection of the singer. He finally finds a mantra, that is adorned with German and English shreds of text.

Peter Michael Hamel The Voice Of Silence Blog Full

We're sorry to say that this has not aged very well. Surely it is very time-typical and could be duly used as a soundtrack for a nostalgic retrospective of the esoteric attempts of the seventies.Artistic amateurism can be a sharp weapon, but this home-made brew of mandala-art, brimming with all kinds of occult symbols seems only ill-advised to us.

The Voice Of Silence Pdf

Surely this is not how the road to any spiritual quest that really matters looks like? The backcover is more of the same. The cover is lightly textured with a rectangle pattern.Even the lettering is strictly home-made, but in its attempt to be clear-cut even worse.